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Counterpoint
Film & Screenwriting, Analyzed From the Podium
Lessons from the Podium: "Too Many Notes"
In the 1984 film, AMADEUS, one of the most famous lines is delivered by Emperor Joseph II to Mozart: “Your work is ingenious. It's quality work. And there are simply too many notes, that's all. Just cut a few, and it will be perfect." In the classical music world, "too many notes" can, in fact, be a real problem. And it isn't about virtuosity, as you might expect. It’s often about style over substance. Or overdramatization. Or indulgence. But whatever the cause, t
Ethan Danov
Jun 223 min read
The Art of the Meltdown: How Meeting Venus Nailed Opera's Beautiful Dysfunction
“This is the Opera Europa. Here, you can be misunderstood in six different languages.” Mild spoiler or two ahead... Very few films have attempted what MEETING VENUS did in 1991: stage an operatic production with a full orchestra, chorus, ballet company, three different unions, and a multinational cast. I've spent over two decades conducting major orchestras and ballet companies. So, watching a film that’s not just set within that world, but one that’s specifically about
Ethan Danov
Jun 193 min read
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